You are viewing [info]mr_noy's journal

This is only a test... - Week of Warhol

mr_noy
Date: 2006-11-03 00:42
Subject: Week of Warhol
Security: Public

While flipping through the channels Sunday night I landed upon the last half of PBS' American Masters documentary on Andy Warhol. I've always had a sort of like/dislike attitude towards Warhol and his work (my feelings were never strong enough to be classified as love/hate) and frankly I hadn't really thought about him in years.

For better or worse, he's become part of the cultural wallpaper and thus easy for me to not think about. He'd probably be happy to know that he's become every bit of a product, a brand, a hollow icon as those he revered (or criticized, depending on who you belive) in his art. Thinking about his would-be assassin, Valerie Solanis, it occurred to me that I had never gotten around to seeing the Solanis biopic I Shot Andy Warhol starring Lili Taylor. I remember really wanting to see that when it came out but missed it at the theater and never got around to it.

Monday night, I thought I'd go to the video store and see if they have the movie. After a long day at work and after running errands, I decide to put it off til later. Instead, I went home and watched a copy of ¡Viva Los Muertos! an episode of The Venture Bros. that features a parody of the Scooby Doo gang, only this time all of the characters are based on famous psychos. Shaggy and Scooby, I mean "Sonny" and "Groovy" are based on Son of Sam and Harvey, the dog he claimed ordered him to kill. Velma, or "Val" is based on no other than Valerie Solanis with most of her dialogue lifted directly from her infamous Scum Manifesto. As an added bonus, this episode was written by Ben Edlund, of The Tick fame. The Venture Bros. is the brainchild of one Jackson Publick, who got his start writing for both the animated and live-action Tick series so it was nice of him to return the favor.

Tuesday rolls along and it's time for a trip to I Luv Video, the best video store in Austin. Adding to the coolness is the fact that it is Free Beer Tuesday at I Luv Video. At long last, I finally got to see I Shot Andy Warhol. Frankly, it suffers from having to compress so much of the story that Valerie's descent from disturbed eccentric to homocidal maniac doesn't come off as fully convincing. Fortunately, strong performances from Lili Taylor, Jared Harris, and Stephen Dorf compensate nicely.

Wednesday, I visit Half-Price books on my lunch break and decided to browse the discount bins. Lo and behold, there's Victor Bokris' Warhol: The Biography . "What the hell," right? I take it home and I'm already 100 pages in when I realize it's late and I have to go to bed.

Today, Thursday, and I'm stuck in 5:00 traffic. I'm listening to the radio while approaching a busy intersection. I'm looking at passengers climbing aboard a Cap Metro bus when I hear an ad on the radio for Art On 5th Fine Arts Gallery. Tomorrow, they're opening a Warhol exhibit with a reception and lecture. "Hey," I think "I don't have any plans tomorrow evening. I should go to that." Just as I'm inching towards the intersection, some jackass in the oncoming lane, decides to run the yellow, makes a left turn in front of me, and drives directly into the path of the now moving bus. 

As cliched as it sounds, you really do see stuff like that in slow-motion. I just knew this moron was going to get hit by the bus and all I could do was watch. Fortunately, the bus hadn't picked up much speed and the damage was limited mostly to the jackass' right fender.  Thankfully, no one appeared to be hurt. He pulled into a parking space and the busdriver got out to talk to him. By now the light was green and I headed off, sure that the driver of that car must feel like a total fool. Just as I was entertaining the idea that maybe this week of Warhol was some kind of sign that I should attend that exhibit, something totally random happens. So much for looking for patterns. Still, I'm going to go anyway. It's sure to be fun; and besides, you never know. Maybe something good will come out of it.
Post A Comment | 5 Comments | Add to Memories | Share | Link



ezraball
User: [info]ezraball
Date: 2006-11-03 23:07 (UTC)
Subject: My Andy Conversion
Used to think he was a fake. I came to realize he was a Real Fake the more I found out about him and the more I actually *looked* at his stuff (helps to have fam in Pittsburgh where the 5-floor Warhol Musueum is in driving distance). He at one point said that you couldn't really understand the full vacuousness of his work if you only saw pictures of it, and I that's very true (though ironic since it's all about reproduction). Also, I saw -- don't laugh you dickhead-- I saw an episode of Sister Wendy sometime in the late 90's where she talked about some of the Marilyn paintings, and it was impressive.

Did you catch that Yo La Tengo played the Velvet Underground in ISAW?
Reply | Thread | Link



mr_noy
User: [info]mr_noy
Date: 2006-11-04 03:45 (UTC)
Subject: Re: My Andy Conversion
I just got back from the Warhol show. I might write something on it later but suffice it to say I had a good time. Although it wasn't a very big exhibit it was the most Warhol's I've ever seen all in one place.

Echoing what you said, I knew Warhol's work mostly through reproductions so I wasn't fully prepared for the textures; particulary those areas where he printed black onto black. You lose those nuances in the reproductions.

Most of the layers were subtle to give the impression of flatness but some paintings had surprisingly thick layers (particularly the Jagger portraits) and there was a whole series where fields of black were coated with genuine diamond dust. Not only did you get a sense of light delicately playing on the surface but you wound up with a texture like the coarsest sandpaper.

I definitely want to check out the Warhol museum in Pittsburgh one day just for the sheer enormity of it all.

I would never laugh at someone for watching Sister Wendy, nor would I laugh at her. She knows her stuff. Would that more members of the cloth were as open-minded.

And yeah, I caught YLT in the background. Lou Reed hates Solanis so much he refused to cooperate on the film and none of his songs could be used. That's why the band is never identified as VU and why Ira and company play an original song that sounds kind of 'Velvety'
Reply | Parent | Thread | Link



ezraball
User: [info]ezraball
Date: 2006-11-08 02:29 (UTC)
Subject: disaster
Also, the disaster paintings from the early 60's are quite something. Your description of the car crash reminded me of those, actually. I think they are still amazingly relevent comments on the way the media portrays mundane tragedies. (After seeing them, there's also no way that you can take Warhol's insistence that his work was merely surface-y and vacuous at face value).
Reply | Thread | Link



User: (Anonymous)
Date: 2006-11-08 20:15 (UTC)
Subject: Re: disaster
I don't think it was vacuous so much as it was a mirror. (Yeah, I buy the book's title.) I think he tried to push attention off of his real self and what he might be saying in his art because it wasn't about him; it was about the viewer. If he made any comment, it was in his choice of subject matter, materials, and methods. He often chose sort of Oliver Stone-type subjects--things that had captured the public imagination in a fabulous way, whether the public had been aware of it or not. --TW
Reply | Parent | Thread | Link



User: (Anonymous)
Date: 2011-02-12 22:44 (UTC)
Subject: http://onlytopreviews.com
"That’s Too awesome, when it comes in india desire it can make a Rocking spot for teen.!! desire that occur correct."
Reply | Thread | Link



browse
my journal
links
October 2011